Voice Studies: Teaching and Coaching MA/MFA

at Royal Central School of Speech and Drama

In the first year of the MFA, you join the MA students for terms one to three of the course. The MFA then extends into a second year, beginning in October, which involves a mix of workplace attachments, mentorships and observed practice, in close liaison with members of the related industries. You are encouraged to specialise in one or more directions, building on the first year’s teaching.
 

Term one develops awareness of personal and professional needs and gives a foundation in practical skills, related academic disciplines, vocal pedagogy and research methods for the more applied work that follows.
 

Term two builds on the previous term by relating acquired knowledge and practical experience to the needs of others and seeks to develop growing confidence and abilities. Practical experience of teaching, both of groups and of individuals in institutions where voice work is relevant, begins in this term.
 

Term three consolidates the work already done, extends the teaching experience in a variety of contexts, and allows for a deepening of thought about voice as a field of study. It includes advice on preparation for a professional career.
 

Term four of the MA is focused entirely on the preparation and submission of a portfolio or dissertation.
 

The MFA second year widens your opportunities to develop voice knowledge within a variety of professional contexts in which pertinent questions can be asked, protocols tested and new structures suggested. This involves a combination of workplace attachments, mentorships and reflective observation where appropriate. You are expected to undertake tutorials and occasional seminars throughout the year, although these may be via Skype, as part of an ongoing process of pedagogical reflection and engagement leading to the submission of a final dissertation and reflective pedagogical documentation.
 

The MFA offers a further embedding of skills and concepts learnt during the first year. In some countries the MFA is more recognised, particularly for those interested in teaching, or researching in a higher education environment.
 

An MFA top-up year for those with an existing MA in this subject is also available.

An understanding of voice informed by appropriate work experience of at least two years is normally an essential prerequisite, or a degree (or equivalent) in a subject which has included an element of voice and speech studies. Graduates of other disciplines will be considered if they can provide evidence of previous training in voice and/or speech. You will also normally be required to have the equivalent of 20 hours teaching experience in the field of voice and/or performance-related subjects. Applicants without an undergraduate degree (or equivalent), but who have professional experience working with voice for at least two years, e.g. actors and directors, will be considered for interviews for non-standard entry. An offer will normally only be made after interview.
 

A top-up year for those with an exciting MA or PGDip in this subject is available.

English Language Requirements

Applicants for whom English is not their first language are required to prove their English language proficiency by gaining an overall score of 7.0 in an IELTS test. We do accept equivalent English language qualifications. Applicants are advised to gain this certification as early as possible and more information can be found
 

The fees for Voice Studies: Teaching and Coaching MA/MFA  may vary from £20,000 to £35,000 annually for tuition fees. The fee's prices may get higher for International Students.

Graduate employment and career pathways include:
 

• Chorus Director, Bromley Youth Music Trust.
• Voice Lecturer, Central, Royal Academy of Dramatic Art, Kingston University.
• Voice and Singing Tutor, Trinity Laban Conservatoire of Music and Drama.
• Voice Internship, Royal Shakespeare Company.
• Voice Tutor, Arts Educational.
• Head of Voice, Bristol Old Vic Theatre School, The Royal Welsh College of Music & Drama.
• Lead Vocal Supervisor, Mulberry School, London.
• Head of Acting and Voice, University of Oklahoma, USA.
• Voice Coach, Oregon Shakespeare Company, USA.
• Head of Voice, Head of Accents and Dialect Teaching, The Royal Conservatoire of Scotland.
• Lead Voice Trainer, business clients, Short Courses & Training, Central.